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回到生命起點
2024年夏天，CPLUS創作的“母體”空間裝置在泰康美術館（TAM）A展廳展出。作品聚焦地標性城市空間中被忽視的個體感知，鼓勵人們在對近身空間的共同探索中建立與城市的情感聯系。
"Matrix-Space for All": Space Installation at Taikang Art Museum
Back to the Beginning of Life
In the summer of 2024, the "Matrix" space installation created by CPLUS is exhibited in Taikang Art Museum (TAM) Gallery A. The work focuses on the neglected inpidual perception in the landmark urban space, encouraging people to establish emotional bonds with the city in a shared exploration of the proximate space.
▲“母體”入口 ©朱雨蒙
▲Entering the “Matrix” ©Zhu Yumeng
▲觸摸“母體” ©朱雨蒙
▲Touching the "Matrix" ©Zhu Yumeng
泰康美術館位于北京CBD核心地帶，周圍超高層建筑遍布。這些象征著城市影響力與資源高效配置的樓宇，將人們的日?；顒泳幙椷MCBD地區的繁華圖景，但相應的，龐大的建筑體量也制造了一定的壓迫感。
Taikang Art Museum is located in the core area of Beijing CBD, surrounded by super-tall buildings. These towers symbolize the influence of the city and the efficient allocation of resources, weave daily activities into the prosperous scene of the CBD area. However, the massive architectural volume also causes a certain oppression.
▲“懸浮”在展廳中的“母體” ©朱雨蒙
▲“Matrix” “floating” in Gallery A ©Zhu Yumeng
在高樓林立的快節奏城市中加入什么樣的裝置才能帶來獨特的體驗，同時還要滿足美術館展廳特定的安裝要求，是設計首先需要回答的問題。最終，以“緩解現代都市的疏離感”為觸點，CPLUS創造了一個能夠與身體、情感和記憶產生親密聯系的場所。
What kind of installation can bring a unique experience to a dynamic high-rise city, while meeting the specific requirements of the gallery, was the primary question to be answered in the design. Ultimately, with "alleviating the alienation in modern cities" as the touch point, CPLUS created a place that connects with people's bodies, emotions, and memories in an intimate way.
▲“母體“內、外的互動體驗 ©朱雨蒙
▲Interactive experience inside and outside the "Matrix" ©Zhu Yumeng
概念：身體感知
“母體”是一次關于空間體驗的嘗試。裝置提供了一種柔軟而又安全的知覺感受，像是“回到母親的子宮”一樣，與CBD堅硬、冰冷的鋼筋混凝土森林形成反差。
Concept: Body Perception
The "Matrix" is an adventure in spatial experience. The installation provides a soft and safe perceptual sensation, like "returning to the mother's womb", in contrast to the hard, cold concrete forest of the CBD.
▲用身體感知“母體” ©朱雨蒙
▲Perceiving the “Matrix” with the body ©Zhu Yumeng
設計利用展廳的原始高度，在13米挑高的空間內置入一個巨大的白色橢球形氣艙，形成“空間中的空間”。吊索連接屋頂結構上預埋的構件，將裝置懸掛于空中，從而解放地面空間，減少對場地活動的限制?！澳阁w”彷佛一枚超脫現實的巨型蠶繭，模糊且多義，并具有一種原始的未來感，與展廳產生了“柔軟與堅硬”、“輕盈與厚重”、“朦朧與明確”等一系列對話。
The design takes advantage of the original height of the gallery by placing a huge white inflatable ellipsoidal cabin inside the 13-meter-high space to form a "space within a space". The installation is suspended in the air by cables attached to pre-embedded components on the roof structure, thus liberating the ground space and reducing on-site activity restrictions. The “Matrix” is like a giant cocoon that transcends reality, ambiguous and polysemous, characterized by a primitive sense of the future. It produces a series of dialogues with the gallery, such as "soft and hard", "light and heavy", "hazy and clear".
▲概念方案生成圖解 ©CPLUS
▲Diagram for conceptual program generation ©CPLUS
▲剖透視示意圖 ©CPLUS
▲Sectional perspective drawing ©CPLUS
裝置主體結構距離地面2.2米，與墻壁僅脫開一個微小的距離（最窄處不足1米），釋放出強烈的空間張力。這種緊張感代表著一種膨脹與碰撞的微妙關系，暗喻了都市人面臨的各種壓力。
The main structure is 2.2m above the ground, and only a small distance (less than 1m at the narrowest point) away from the wall, releasing a strong spatial tension. This tension represents a subtle relationship between expansion and collision, implying a variety of metropolitan pressures.
▲“母體”裝置制造的空間緊張感 ©朱雨蒙
▲Spatial tension created by the “Matrix” ©Zhu Yumeng
▲超脫現實的巨型蠶繭 ©朱雨蒙
▲A giant cocoon that transcends reality ©Zhu Yumeng
參觀者通過一部活動鋼梯，完成從挑高的矩形展廳到被包裹的橢球形氣艙的轉換?！澳阁w”內，人的身體與柔軟的膜材料表面發生全方位的接觸與互動。半透明膜既實現了幾何體積對空間的占據，又到達了相對輕盈的狀態。此外，現場對燈光與聲音的控制充分調動了感官體驗。純粹的內部空間讓參觀者從日常狀態中剝離，緊繃的身體完全放松，并嘗試感知生命的存在。
Visitors pass through a movable steel ladder to complete the transition from the high-ceilinged rectangular gallery to the wrapped ellipsoidal air cabin. Inside the "Matrix", the human body interacts with the soft surface of the membrane material in all directions. The semi-transparent membrane realizes the space occupation of geometric volume, and at the same time achieves a relatively light state. In addition, the control of light and sound on site fully stimulates the sensory experience. The pure interior space allows visitors to detach themselves from daily life, entirely relax their tense bodies, and try to perceive the existence of life.
▲通向“母體”的活動鋼梯 ©朱雨蒙
▲Movable steel ladder leading to the “Matrix” ©Zhu Yumeng
▲參觀者在“母體”內放松 ©朱雨蒙
▲Visitors relax in the "Matrix" ©Zhu Yumeng
結構：多層氣膜懸掛
“母體”宏觀的結構設計概念是利用氣膜結構的自身剛度形成空間，然后利用拉索和氣膜結構表面拉應力“搖籃”形成吊掛，最后通過一組空間鋼桁架轉換至原建筑的結構體系內。
Structure: Multi-layer Air Membrane Suspension
The methodology of structural design is to apply the rigidity of an inflatable membrane structure forming an indoor space, and then applying cables to collect the tensile stress from bottom surface to form a "cradle" suspension, and finally those cables will transform force into the structural system of the original building through a set of spatial steel trusses.
▲氣膜結構放樣詳圖 ©張錦斌
▲Air membrane structure layout details ©Zhang Jinbin
整體氣膜結構為利用三層膜材組成兩個主要的氣艙，包括內側的結構氣艙和外側的構造氣艙。工程師利用橢球形的雙層氣膜結構形成了可進入的艙體，確保球內外的氣壓聯通，無需設置壓力過渡的氣閘。結構氣艙中外側的氣膜在內外約0.3倍大氣壓壓差的狀態下會形成向外的充盈，內側的氣膜則會向內坍縮，內外間通過拉片來阻止內膜坍縮的趨勢。
The overall air membrane structure utilizes three-layer membrane material to form two main air cabins, including an inner structural air cabin and an outer decorative air cabin. The Engineers utilized an ellipsoidal double-layer air inflatable structure to form an enterable space, ensuring that the air pressure is equalized inside and outside, eliminated the requirement of pressure transition cabins. The outer air membrane fills outwards when the pressure difference between the inside and atmosphere is about 0.3 times the atmospheric pressure, while the inner side had intend of decrease inwards. A series of pulling sheets are set between the inside and outside to prevent the inner membrane from real collapsing.
▲“母體”在展廳現場吊裝過程 ©張錦斌
▲“Matrix” lifting process on site ©Zhang Jinbin
懸掛的吊點處會形成集中荷載，集中荷載會破壞表面氣壓形成的張拉效應，造成不美觀的褶皺或者凸起，帶來潛在的安全隱患。工程師通過指定力的傳遞路徑，沿著橢球的切割剖面的切線方向設置拉索，讓膜僅僅承受面內的拉應力，形成懸掛的吊籃，確保在整個應力線以下的范圍內盡可能均勻的分散拉應力，消除掉應力集中的問題。
The hanging points will form concentrated loads, which will destroy the tension effect formed by the surface air pressure, causing unsightly wrinkles or bulges, and bringing in potential safety hazards. The engineers set tension load path along the tangent direction of the ellipsoid's cut section by specifying the force transmission so that the membrane only bears the tensile stress within the surface, ensuring that the tensile stresses are dispersed as evenly as possible within the range below the hanging points, eliminating the risk of stress concentration.
▲氣膜結構應力分布圖 ©張錦斌
▲Stress distribution diagram of air membrane structure ©Zhang Jinbin
結構總重3.8噸，球體自重1.2噸，長寬高為11.7X7.2X8.0米，充入130立方米約3.0千帕的空氣。
The total weight of the structure is 3.8t, the installation weighs 1.2t, the length, width and height are 11.7X7.2X8.0m, and it is filled with 130cb.m. of air at about 3.0kPa.
設計圖紙
Project Drawings
▲平面圖 ©CPLUS
▲Plan ©CPLUS
▲立面圖 ©CPLUS
▲Elevation ©CPLUS
項目信息
設計方：CPLUS
創始合伙人：程艷春，李楠
主持建筑師：程艷春
設計團隊：劉曉光、薄忱、郭鋒、朱佳穎
結構設計：上海廬唯建筑結構設計有限公司
結構設計團隊：張錦斌、湯理達、簡麗、劉可可
項目類型：建筑裝置
項目狀態：已建成
時間：2024年3月-7月
地點：中國，北京
建筑面積：145平方米
攝影：朱雨蒙、張錦斌
Project Details
Design Firm: CPLUS
Founding Partners: Cheng Yanchun, Li Nan
Architect in Charge: Cheng Yanchun
Design Team: Liu Xiaoguang, Bo Chen, Guo Feng, Zhu Jiaying
Structural Consultant: Lava Structural
Structural Consultant Team: Zhang Jinbin, Tang Lida, Jian Li, Liu Keke
Program: Architectural Installation
Status: Built
Dates: March-July, 2024
Location: Beijing, China
Area: 145 sq.m.
Photographs: Zhu Yumeng, Zhang Jinbin
來源：本文由CPLUS提供稿件，所有著作權歸屬CPLUS所有。
本文版權歸腿腿教學網及原創作者所有，未經授權，謝絕轉載。
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