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設計機構? BALANCE STUDIO平衡空間
項目地點? 福建福州
項目面積? 1100平方米
建成時間? 2024年1月
本文文字由設計單位提供。
漫漫的日常中，我們現有生活的方式有很多既定的評判標準，有很多司空見慣的思維方式和處事的邏輯，這是漫長的社會演變的一個階段性體現。而往往階段性的周期變化，在大的時間維度下才能讓人察覺：有時3年、有時30年、有時覆蓋了人的一生。在大的時間維度下，無論對錯，小波動的累積，往往也造成了變化。而這變化，周期性地推動社會向前滾動。
In the midst of a long daily routine，The way we live our lives has a lot of established criteria, and we have a lot of commonplace ways of thinking and doing things logically. This is a phase of a very long social evolution.And often the phases change in cycles, changes that are only perceptible in the larger dimension of time, sometimes 3 years, sometimes 30 years, sometimes covering a person's whole life. And right or wrong, in the larger time dimension, it may be a small fluctuation, but the accumulation of small fluctuations often results in a change that, cyclically, pushes society to roll forward.
很多事情難以捉摸，但是如果善于總結，不一定是時間的疊加，你會發現很多有意思的規律。而這些規律，也許不是指導你去怎么做，可能只是教你不怎么做，亦或是，讓你淡然些，靜觀變化。
A lot of things are elusive, but if you are good at summarizing, not necessarily the superposition of time, you will find many interesting laws. And these laws, perhaps not to guide you to how to do, may just teach you not to do, or, so that you are more calm, quietly watching the changes.
01
住宅應該是有生命力的
會生長的
這是一個有愛的家，爸爸媽媽和兩個孩子：弟弟喜歡研究各種東西，姐姐拉得一手自帶光環的大提琴，媽媽L女士是個古琴古箏小能手，爸爸J先生是有很多復雜又簡單工作和生活的多面手。
This is a loving home with two children, a younger brother who likes to study all kinds of things, an older sister who plays the cello with a halo of her own, a mother, Mrs. L, who is an expert in the guqin and guzheng, and a father, Mr. J, who is a multi-faceted person with many complex yet simple jobs and lives.
這個房子很大的一個起心動念，源于兩個孩子的成長和陪伴。教育內卷已經不是什么新鮮話題，想明白并去執行的人少之又少。而J先生的通透和豁然跟自身經歷和思考有關。因此身體力行的陪伴、交流方法、形成自驅力就是主題了，小孩和大人都有很多可能性：不設限、自然而然的發生、學會獨立的評判標準。
One of the big ideas for this house is the growth and companionship of the two children. Education is no longer a new topic, but there are very few people who want to understand and implement it, and there are always all kinds of constraints. Mr. J's transparency and openness is related to his own experience and thinking.So physical accompaniment, exchange of methods, the formation of self-driven is the theme, children and adults have become a lot of possibilities, no limits, naturally occurring, and learn to independently judge the standard.
于是，我們希望場地是簡單的。自由一點從建筑開始。
So we hope the venue to be simple. A little freedom starts from the architecture.
02
應對場地的建筑限制
加減法簡潔化設計
二十年前的瘋狂地產造就了很多新奇現象，就像這里直接模仿了一個歐洲小鎮的樣子。這棟建筑突然地出現在中國福州閩侯的一個山腳下。面對現狀，我們梳理了一下立面關系，將破敗的線條直接去掉、簡化，然后用一些金屬框套來限制一些視野，平衡建筑內外的關系。同時，我們將老舊的涂料簡化翻新，用的是很傳統的彈涂工藝，形成一種肌理，重塑整個建筑外觀。
The crazy real estate created a lot of novel phenomena from twenty years ago, like this one which directly imitates the appearance of a European town.It suddenly appeared at the foot of a mountain in Minhou, Fuzhou, China. So we sorted out the relationship between the fa?ade to face the current situation, the dilapidated lines are also directly removed, simplified, with some metal frames to limit the field of view, balancing the relationship between inside and outside the building. At the same time, the old paint was simplified and renovated. The traditional pop-up coating process was used to form a texture and reshape the entire building appearance.
空地是城市里寶貴的資源。我們對于花園的想象，不是傳統的各種造景，更多的是放空的一片綠色草地，是孩子和狗狗的天地，是一個休憩的空間，也是回憶里小時候的老家。
Open space is a valuable resource in the city, and the imagination for the garden is not traditional landscaping, but more of a green meadow, a place for children and dogs, and a campfire next to the meadow, a resting space, and at the same time, a reminiscence of the old home when I was a child, and the cohesion of the elders.
03
建筑的外表情語言
立面的細部構造上，建筑師采用設計的一體化語言：簡潔的框架線條勾勒出形體的輪廓，在建筑立面上形成線、塊、面等語言。一個一個的框，就像房子的眼睛、手臂——觀察、觸摸。深灰色的金屬框套形成塊面關系、米白色外墻涂料給建筑增添了肌理感。不同線性分割形成的細部構造讓建筑更加立體。
The detailed construction of the fa?ade forms an integrated language of design, with simple frame lines outlining the contours of the form. The language of lines, blocks and surfaces is formed on the fa?ade of the building. One by one, the frames are like the eyes and arms of the house---observing and touching. The dark gray metal frame sets form a block relationship, and the beige exterior paint adds a sense of texture to the building. The detailed construction formed by different linear divisions makes the building more three-dimensional.
04
開放的空間
自由的開始
梳理完方向，我們給這個建筑組織了一個使用方式：一種用感受就能體驗空間意圖的呈現。負一層和一層相對更具有公共性：面對社區，面對家族成員，面對好多朋友。不需要門禁，來去自由。而在去三樓的樓梯口，我們用核心筒的一部分形成一個門，采用軟性的間隔來劃分公共與私密的邊界。核心筒串聯起整個空間垂直交通的功能屬性，透明電梯在其間穿梭。這種使用方式擴展了“家”的邊界，使互動成為日常居住體驗的一部分。自由平面也為場所帶來活力。
After sorting out the direction, we organized a way of using this building.The negative floor and the first floor are relatively public, facing the community, facing the family members, facing a lot of friends. There's no need for access control, it's free to come and go. In the stairway to the third floor, we use a part of the core cylinder to form a door, a soft interval to delineate the boundary between public and private.The core connects the functional attributes of vertical transportation of the whole space, and the transparent elevator shuttles between them.Expanding the boundaries of “Home” and making interaction a part of the daily living experience, the free-form planes bring vitality to the place as a base from which to grow and look to the future.
用樂高的基礎引伸，以色彩的最初狀態為出發點，我們想要的是一種自由的開始：一樓區域被定義為開放的空間，在原始的結構框架下沒有通過墻體來劃分功能模塊，而是放空平面，置入藍盒子來串聯起整個空間：下沉休閑區、音樂教室由此展開。盒子一端開口，沖破建筑并以此打開通往戶外空間的端口，打開的洞口與核心筒的孔洞呼應。
Using the basis of Lego and the initial state of color as the starting point, what we want is a free start.The first floor area, defined as an open space, is not divided into functional modules by walls under the original structural framework, but the blue box is placed in the empty plane to link up the whole space, and the sunken recreation area and the music classroom are thus unfolded..The opening at one end of the box breaks through the building and opens a port to the outdoor space, and the opening echoes with the holes in the core.
05
藍色盒子像置入的一塊樂高
透過窗口，看見一幕幕生活舞臺劇
在這里“盒子”本身就是一個功能載體，一個空間可根據需求同時被用于走、坐、躺等目的。人們可以探索這個空間獨特的使用方式，這也是另一種體驗。
Here the “box” itself is a functional carrier, a space that can be used for walking, sitting and lying at the same time according to the demand, exploring the unique way of
using this space is also another experience.
“BLUE EYES”代表著“眼睛”，我們選用了稱之為“理想之藍”的顏色。藍色盒子空間連接著一層戶外和二層室內，我們可以通過盒子內的孔洞進行不同場景的觀察。盒子上方連接著二層的室內，墻上的傳聲筒裝置是一種對話的象征，也為室內增添了不少的趣味性。從藍盒子內向外望去是風景，我們期盼它看見的是純粹的理想。
“BLUE EYES” stands for ‘eyes’ and the color chosen is called ‘ideal blue’. The space of the blue box connects the outdoor area on the first floor and the indoor area on the second floor, and it is possible to observe different scenes through the holes inside the box. Above the box connects the interior of the second floor, and the microphone device on the wall is a symbol of conversation and adds a lot of fun to the interior. Looking out from the blue box is a landscape, and we expect it to see pure ideals.
盒子之內宛如另一方天地，空間流動，人們可以透過洞口看到不同的空間場景。盒子串聯起兩層通高，同時作為二樓護欄，向東西兩側的公共空間流動。
Inside the box is like another world, the space flows and different scenes are seen through the hole. It connects the two floors and acts as a parapet on the second floor, flowing to the public spaces on the east and west sides.
地下室的下沉區域容納了主要的公共空間，用于社交和閱讀：客餐廳復合了水吧、餐桌、學習、工作、娛樂等多種使用場景，服務于下沉休閑區和影音室。餐廳操作臺的長條開窗提供了外面花園的景色，為廚房增添了充足的自然光線，并與窗外的植物產生聯系，把風景裝裱了起來。
The sunken area in the basement accommodates the main public space for socializing-reading, and the guest dining room compounds a variety of use scenarios such as water bar, dining table, study, work, entertainment, etc., serving the sunken recreation area and the audio-visual room. A long casement window in the dining room operator's desk provides views of the garden outside and adds ample natural light to the kitchen, creating a connection with the plants outside the window and framing the landscape.
樓梯、核心筒以及不斷變化的高差同時出現。我們利用高差，打造出一塊下沉式的交流及休閑空間，使整體空間更加富有層次感，也能實現空間轉換與功能區域之間的錯落感。
The staircase, the core, and the ever-changing height difference appear different scenes at the same time using the design of the height difference to create a piece of sunken communication and leisure space, which makes the overall space more layered, and also realizes the sense of staggering between spatial transitions and functional areas.
06
音樂教室
隨性、分享的空間
這里可以是L媽媽教學和分享的教室，也可以是朋友們來玩音樂的地方。空間嵌入的藍盒子也為大家提供了一個獨立的觀眾區，一種打破常規的交流方式。在這個公共空間里，人們的活動和行為沒有受到局限，他們可以選擇喜歡的方式來利用這個空間，大面積的落地窗與多個進出口則進一步加強了音樂教室與戶外的聯系。
This can be a classroom for L's mom to teach and share, or a place for friends to come and play music... Seeband practice has started...The blue box embedded in the space also provides another independent audience area, which breaks down the conventional way of communication. In this public space, people's activities and behaviors are not limited, and they can choose to use the space in any way they like. The large floor-to-ceiling windows and multiple entrances and exits further strengthen the connection between the music room and the outdoors.
07
車庫咖啡
形成社區窗口
原來這里是一個停車庫，我們將其改造成一個多功能的空間。車庫咖啡與之前的創客咖啡相似，真的可以產生創意、甚至項目。我們把咖啡廳面向社區馬路，這個社區里，有很多優秀的人們在這里生活，未來某時候他們之間可能就會產生一些碰撞，產生很多場景。
It turns out that this is really a parking garage, we transformed it into a multi-functional air division, the garage coffee is similar to the previous creators' coffee, it can really generate ideas and even projects. We face the cafe to the community road, this community, there are many university professors, and talent introduced to live here, sometime in the future may produce some collision, can produce a lot of scenes.
弟弟在這里研究各種新鮮的愛好。這段時間，他迷上了自行車，爸爸像以前一樣，給他提供一些開放可能性。弟弟的學習能力也很在線，很快就把自行車的各種知識都掌握了，甚至環法自行車賽的歷史都了解不少……
Xiao Yi is studying various new hobbies here, and this time, he is addicted to bicycles. His father, like before, provides him with some open possibilities, and Xiao Yi have excellent learning ability, and he learns all kinds of knowledge about bicycles very soon, even he knows quite a lot about the history of the Tour de France.
原始的混凝土裸柱與金屬臺面穿插產生了聯系，形成了一個美觀實用的操作平臺。墻面洞洞板上可以放置各種配件工具，同時也是展示區，分享自己的珍藏和愛好。
The original bare columns of doubtful earth are interspersed with metal countertop to create a connection, forming an aesthetically pleasing and functional operating platform. The cavernous wall panels hold a variety of accessory tools and also serve as a display area to share one's treasures and hobbies.
吊頂采用了沖孔海洋板，溫潤的木色中和了混凝土和金屬的冰冷，同時隱藏了空調的風口，使冷氣能夠自然地從孔隙中散發。
The ceiling is made of perforated marine boards, and the warm wood color neutralizes the coldness of concrete and metal, while hiding the air vents of the air conditioner so that cold air can naturally emanate from the holes.
08
分享教室
一起學習與成長
這里設定了很多空間功能，其實都是可以自由切換的：那時還有大部頭書《論語》《圣經》等的學習，這時可能J爸爸就帶著孩子探討經濟學基礎，一會，J爸爸可能又沉浸在姐姐大提琴的音符里。
There are a lot of open-ended questions here, which can be switched freely. At that time, there were also large books to study, such as the Analects of Confucius and the Bible, etc. At that time, Father J might be discussing the basics of economics with his child, while a while later, Father J was immersed in the notes of his sister's cello.
09
空間形體
形成一副立體的畫作
三層為私密的居家空間。我們選用暖白色基底涂料與木質為主用材料覆蓋整個空間，自然地營造出舒適松弛的家居氛圍。核心筒繼續延伸上來，像一根脊柱。它是主角，串起框架，但又像是配角，在每個空間里，平靜的存在、陪伴。
The third floor is a private living space. Warm white base coatings and wood-based materials are chosen to cover the entire space, naturally creating a comfortable and relaxing home atmosphere The core cylinder continues to extend up, like a spine, he is the protagonist, stringing up the framework, but also like a supporting role, in each space, calm presence and companionship.
在立面書墻的設計，我們采用紅、黃、藍三原色為點綴，加之以塊面劃分，形成不同線性的分割感。這似乎是蒙德里安，但不是要那么深的抽象高度。實際我們只是用了色彩的象征意義，基礎而自由。
In the design of the fa?ade book wall using red, yellow and blue primary colors as accents, coupled with block division. Forming a sense of different linear divisions. It seems to be Mondrian, but not to be that deep in the height of abstraction. In actuality just using the symbolism of color, basic and free!
10
溫暖松弛的房間
安靜自我的角落
房間整體基調簡潔溫馨。特別之處是：我們抬高了一個錯層打開了一個橫向長窗，與建筑外觀的突出窗框，形成了一個特定視覺范圍：不論做在地臺上，或者躺在床上，人們都能得到了一個最佳觀賞視口。
The overall tone of the room is simple and cozy. The special feature is that the elevation of a wrong floor opens a long horizontal window, which, together with the prominent window frame of the building's exterior, creates a specific visual range, so that no matter whether you are on the floor or lying on the bed, you get an optimal viewing angle.
遠方的遠山，就在眼前，寧靜。
The distant mountains are just around the corner, serene.
11
場景穿插
形成不同區域的對話
在四層閣樓，我們重新組織了結構，形成了環繞核心筒的動線：樓板挖了個空，裝了繩網，可以與三層對話，更多的是一種自由伸展與不同場景的穿插。
In the fourth floor attic, the structure has been reorganized to form a dynamic line around the core cylinder, the floor slab has been dug out and installed with a rope net, so that it can have a dialogue with the third floor, and it is more of a free stretching and interspersing of different scenes.
猶如心臟的紅盒子在這層起了一個意向，有功能性，但更重要是表達了一種探索的寓意：觸摸天空、觸摸邊界、探索可能性。
The red box, like a heart, has an intention on this floor, functional, but more importantly, it expresses a symbol of exploration, touching the sky, touching the boundary, exploring the possibilities.
紅色盒子內部連接著一根黃色管道，人們順著爬梯攀爬上去，看見是蔚藍的天空。同時，它也借喻著一種期盼，一種向上的精神力量。但因為在施工過程中，屋頂并沒有開孔挖洞，導致人們實際上并不能看到天空。作為一種精神寄托，樓梯依舊被保留下來。
inside the red box there is a yellow pipe connected to a ladder that climbs up to the azure sky.At the same time, it is also a metaphor for a kind of expectation, a kind of upward spiritual power, but because the roof was not opened and dug during the construction process, it is not possible to see the sky, but as a kind of spiritual support, the staircase is also still preserved.
原本這里建筑結構是一個高窗，只是一個儲存的空間。但是我們想，這里也可以是一個獨處的空間：可以閱讀、可以發發呆看看天空……
Originally, the structure of this building was a high window, just a storage space, but we thought that this could be a space to be alone, to read, and to look up at the sky....
設計圖紙? ▽
完整項目信息
項目名稱：J PlUS
項目地點：福建福州
項目面積：1100平方米
設計機構：BALANCE STUDIO平衡空間
設計主持：董欣猛
設計團隊：陳潔、池清、蘇添財、陳英衍
文案主持：董欣猛
落地執行：郭美干
竣工時間：2024年1月
項目攝影：李迪
版權聲明：本文由BALANCE STUDIO平衡空間授權發布。歡迎轉發，禁止以有方編輯版本轉載。
投稿郵箱：media@archiposition.com
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