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建筑賞析|在13個高低盒子里解鎖“無臺階”的歡樂密碼

發布于：2025-07-04 12:49:05

首頁/技術分享/建筑賞析

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在 13 個高低盒子里解鎖“無臺階”的歡樂密碼第1張圖片

2025大阪世博會盧森堡館 / STDM architects
Luxembourg Pavilion Expo 2025 Osaka / STDM architectes

由專筑網Zia，小R編譯

2025大阪世博會盧森堡館以熱情開放的姿態迎接世界各地游客的到來，它是喧囂中的一處綠蔭休憩地，吸引著人們去探索，并為游客帶來意想不到、令人振奮的盧森堡之旅。盧森堡館位于2025年世博會場館中以“連接生活”為主題的區域。建筑由三個特色元素組成，與2025年世博會的三個主題相對應：“設計未來社會”，這是博覽會的總主題，代表著人們共同擁有的獨一無二的東西，人們共享同一個地球，該理念由覆蓋整個展館的一整個大屋頂代表，代表這是盧森堡國家的項目，它的輻射力和傳播力可以超越國界。“連接生活”，是2025年世博會場館這一區域的主題，該主題由不同大小和高度的體量來展現，代表了盧森堡的多元文化社區，并形成了人工景觀。“連通性”，是盧森堡展館的主題，它將盧森堡領土作為共同利益基礎，以其獨特的傳統將居民聯系在一起，漫步在這一風格化的景觀中，游客可以探索并體驗盧森堡的生活。

The Luxembourg pavilion at Expo 2025 Osaka is both welcoming and intriguing. It is a shady resting place amid the hustle and bustle, inviting to discover and offering an unexpected, invigorating, and stimulating journey through the many facets of Luxembourg. The Luxembourg pavilion is located in the part of the Expo 2025 Site that takes up the theme 'Connecting Lives'. It is made up of three characteristic elements corresponding to the three themes of the Expo 2025 Event: 'Designing future society', the general theme of the expo, a single project, the uniqueness of what we all have in common, we all share the same Earth, represented by a single roof covering the whole pavilion. It is the project of the Luxembourg nation that radiates and communicates beyond its borders. 'Connecting lives', the theme of this part of the Expo 2025 Site, is a persity of volumes of different sizes and heights that represent the multicultural community of Luxembourg and form an artificial landscape. 'Connectivity' is the theme of the pavilion, which takes the land as a common good, the Luxembourg territory, and its unique traditions that bind its inhabitants together. A walk through this stylised landscape invites the visitor to discover and experience life in Luxembourg.

在 13 個高低盒子里解鎖“無臺階”的歡樂密碼第2張圖片

展館前院種植了幾棵樹，為長凳上的游客提供樹蔭。參觀開始時，游客從第一排體量之間的通道進入，這些體量構成了有頂的等候區和場景設計的第一幕，展示了展館性質和盧森堡的主要特色。展館由十三個不同大小和高度的體量組成，但參觀通道位于同一平面上，以確保所有參觀者都能以流暢的方式進入展館。展館的建筑與場景設計緊密相連，注重參觀者的體驗質量。參觀的終點是庭院，庭院周圍設有各種服務設施，提供交流活動，以體驗盧森堡的日常歡樂氛圍：這里有酒吧、餐廳、游戲、休閑、臨時展覽和商店等。

The forecourt in front of the pavilion is planted with a few trees that already provide shade for visitors who can sit on benches. The visit begins with a passage between the first volumes, which constitute the covered waiting area and a first stage of the scenography where the nature of the pavilion and key facts about Luxembourg are revealed. The pavilion is made of thirteen volumes of different sizes and heights. The entire visitor path is on a single level to ensure the best possible accessibility for all types of visitors. The architecture of the pavilion is strongly connected with the scenography, focusing on the quality of the experience for all visitors. The visit ends in a courtyard surrounded by services that offer exchange activities in order to experience the conviviality of Luxembourg: bar, restaurant, games, relaxation, temporary exhibitions, programme of events, and a shop.

在 13 個高低盒子里解鎖“無臺階”的歡樂密碼第6張圖片

設計基于循環經濟原則下的本地資源。建筑大膽采取了“無漂綠”立場，不依賴于表面的環保美學，而是完全遵循循環經濟和可持續發展的原則。這種做法看似不走尋常路，但它將真誠和務實放在首位，依靠參觀者的好奇心來參與其愿景。展館的設計最大限度地減少了資源和能源消耗，不僅在使用過程中（空調、照明、設備），而且在材料方面也考慮到了能源類型，以使用當地生產的標準材料為主，從而減少運輸成本，并確保未來的再利用。

The design is fully based on local resources according to the principles of the circular economy. Luxembourg has taken the bold stance of a "GREEN-WASHING-FREE" project. Rather than relying on superficial eco-friendly aesthetics, it fully commits to the principles of the circular economy and sustainable development. This approach may seem unconventional, but it prioritizes sincerity and pragmatism, counting on visitors' curiosity to engage with its vision. The pavilion is designed to minimize resource and energy consumption, not only during its use (air-conditioning, lighting, equipment) but also in its materials, considering their embodied or "grey" energy. Locally produced standard materials are favoured to reduce transport and ensure future reuse.

在 13 個高低盒子里解鎖“無臺階”的歡樂密碼第7張圖片

根據循環經濟原則，材料應盡可能長時間地以最高質量重復使用。設計師們的工作重點是最大限度地減少材料消耗，確保所有組件都能有效地發揮基本功能。在可能的情況下，展館構件都是租用的，這樣就可以將它們重新整合到未來的建筑中。為了便于再利用，材料必須保持完好無損，因此組件之間使用機械連接而不是膠合或焊接，以確保在不損壞的情況下輕松拆卸。如果不可直接再利用，則應盡量減少對材料的加工，使其可循環利用。循環經濟的最終目標是避免產生任何廢物，盧森堡館的目標是以謙遜的姿態展示這些新方法帶來的可能性。

Following circular economy principles, materials should be used and reused at their highest quality level for as long as possible. Designers focused on minimizing material consumption and ensuring all components serve essential functions efficiently. Wherever possible, pavilion elements are rented rather than owned, allowing them to be reintegrated into future constructions. To facilitate reuse, materials must remain intact, and assemblies use mechanical connections instead of gluing or welding, ensuring easy disassembly without damage. If direct reuse is impossible, materials should be recyclable with minimal processing. The ultimate goal of the circular economy is to avoid any waste production. The Luxembourg pavilion aims to be a modest manifesto of the possibilities offered by these new approaches.

在 13 個高低盒子里解鎖“無臺階”的歡樂密碼第11張圖片

建筑設計：STDM architectes
類型：文化建筑/展覽館
面積：1395 m²
項目時間：2025年
攝影：Vincent HECHT, Wataru AOYAMA
設計團隊：STDM architects
城市：大阪
國家：日本

Cultural Architecture, Pavilion•Osaka, Japan
Architects: STDM architectes
Area: 1395 m²
Year: 2025
Photographs:Vincent HECHT, Wataru AOYAMA
Category: Cultural Architecture, Pavilion
Design Team: STDM architectes
City: Osaka
Country: Japan

本文版權歸腿腿教學網及原創作者所有，未經授權，謝絕轉載。