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23年初，麓湖要在武漢開新盤，我們之前合作過多次，比如成都的一片森林兒童博物館、伊甸島建筑、CPI規劃，海南的世紀海角商業街、騎樓老街規劃等，大家熟門熟路的，也就又做了一個為兒童游樂場配套的餐廳。
In early 2023, LUXELAKES planned to launch a new project in Wuhan. Having collaborated on multiple previous projects—such as Dotsss Children’s Museum, Edenland Architectural, and CPI Planning in Chengdu, as well as The CAPE Commercial District and Qilou Historic Street Planning in Hainan—we were already familiar with each other and worked together seamlessly. As a result, we collaborated again to design a restaurant within a children's playground.
▲ 樹林中的餐廳 ©朱雨蒙
▲ 餐廳外觀 ©朱雨蒙
▲ 勇者小屋環抱著兒童游樂場 ©朱雨蒙
前期策劃這個餐廳叫“勇者小屋”,因其周圍多是有些難度的娛樂攀爬設施，希望激發孩子們克服困難的勇氣之意吧。房子不大，室內不到200平米，但期望能延展出大量的半室外空間，供游人納涼休息。并且它作為游人進島的門戶，遠遠就能被看到。
During the preliminary planning phase, the restaurant was named "The Brave Cabin," as it was surrounded by challenging recreational climbing equipment. We hoped the building would inspire children's courage to overcome difficulties. With an indoor area of less than 200 square meters, the building has a relatively small footprint. Our goal was to create ample semi-outdoor spaces where visitors could relax in the shade. Additionally, thanks to its prominent location at the island's gateway, the building is visible from a distance to arriving visitors.
▲ 勇者小屋與周邊的攀爬設施 ©朱雨蒙
▲ 通透的室內空間 ©朱雨蒙
▲ 大屋頂下的蔭涼空間 ©朱雨蒙
▲ 餐廳位于園區的門戶位置 ©朱雨蒙
那段時間我總看南宋蔣捷的詞，尤愛一些直接直白的表達，比如“在何處，閑游閑玩“；”夢也夢也，夢不到，寒水空流“；”紅了櫻桃，綠了芭蕉“，總有種說不清的輕快奇異。于是乎，在做這個設計時，多少受些影響，沒多想，就想，做一座山--”跳舞的小山“。
At that time, I often read the poems of the Southern Song Dynasty poet Jiang Jie, and was particularly drawn to his straightforward yet vivid expressions. There's an indescribable lightness and peculiar charm to them. While working on this design, I was more or less influenced by this direct way of expression. Without overthinking, I simply wanted to create a mountain—a small, dancing mountain.
▲ 跳舞的小山 ©朱雨蒙
▲ 跳舞的小山 ©朱雨蒙
而如何讓小山跳起舞來呢？想起兩張畫，一張是馬蒂斯在40歲時畫的《舞蹈》，另一張是王希孟18歲畫的《千里江山圖》，試著捕捉其中的生命力和少年意氣。造型模仿也好，氣韻意會也罷，總之要轉化到建筑空間上，多次嘗試后，我和徐丹分別畫了張畫，我用毛筆畫了個母題，規律疊加漸變后似樹林似山巒似云彩；在這基礎上徐丹直接用色塊畫出了有空間尺度的形體。
How can a mountain be made to dance? I recalled two paintings: Henri Matisse's "Dance," created when he was 40, and Wang Ximeng's "A Thousand Li of Rivers and Mountains," painted when he was just 18. I sought to capture the vitality and youthful spirit embodied in these works—whether through formal imitation or an intuitive grasp of their essence—and ultimately translate it into architectural space.
▲ Henri Matisse《Dance》（左）＆王希孟《千里江山圖》（右）©網絡
▲ 毛筆母題（左）＆色塊形體（右） ©大料建筑
慢慢的糅合場地、功能、尺度、構造、材料等進來，更重要的是調整視覺符號與身體感受的關系，終于捏出了建筑方案，甚至是兩個方案。
第一種用氧化銅板，第二種用實木條，顯然，第一種出現了大面積的雙曲面造型，過于昂貴了，所以最終以第二種全平面的方案來實施。
We then integrated considerations of site layout, functional requirements, scale, construction methods, and materials into this design. More importantly, we adjusted the relationship between visual symbols and physical perception, ultimately leading to the realization of the architectural design—even two designs.
The first design planned to use oxidized copper panels, while the second used solid wood strips. However, the first design involved extensive double-curved surfaces, which made it very expensive. Therefore, the second design, which used entirely flat surfaces, was ultimately selected.
▲ 兩種方案 ©大料建筑
因為是武漢麓客島最先開放的單體建筑之一，多少要起到門面的作用，所以建筑布局沿著島的邊界微微彎曲展開的同時，建筑高度需要夠飽滿，透過樹林遠遠在河對岸就可望到。順著開放的草坪，穿梭林間，慢慢靠近建筑時，“小山”的形態十分突出，吸引著游人一探究竟。
As one of the first standalone buildings to open on LuxeIsland, this building serves as a showcase for the LuxeIsland. Accordingly, the layout gently curves and extends along the island's shoreline, while the building's height was designed with so much mass that it remains visible from across the river through the gaps in the foliage. As visitors walk across the open lawn and weave through the woodland, gradually approaching the building, the "little mountain" stands out prominently, inviting them to explore further.
▲ 建筑布局彎曲展開 ©朱雨蒙
▲ 飽滿的建筑形體 ©朱雨蒙
▲ “小山”形態突出 ©朱雨蒙
▲ 林間的“小山” ©朱雨蒙
爬上一段草坡，建筑突然完全出現眼前，巨大的實木體量漂浮于地面之上，一座座三角椎相互拉著手，舞動搖曳。孩子們往往會被眼前的巨物刺激的興奮起來，飛奔過去，沖向十幾米大的懸挑屋頂，建筑又像一座飛船正待飛起，情緒和身體也再次被帶向高潮。
As visitors walk across a grassy slope, the structure suddenly unfolds before them—massive solid wood volumes floating above the ground, with triangular pyramids connecting hands, swaying and dancing. Children will be thrilled by the sight of this colossal form, dashing toward the cantilevered roof that spans over ten meters. The building, reminiscent of a spacecraft poised for takeoff, once again elevates both mood and sensation of visitors to a climax.
▲ 草坡之上的巨大實木三角椎 ©朱雨蒙
▲ 穿過樹林建筑完全展現 ©朱雨蒙
▲ 巨大的懸挑屋頂 ©朱雨蒙
▲ 正待飛起的飛船 ©朱雨蒙
▲ 正待飛起的飛船 ©朱雨蒙
隨后而來的家長們倒也自在，悠然在如巨樹遮蔽下的蔭涼里閑坐漫聊，眼前展開孩子們奔跑跳躍的身影，時不時叫他們過來休息喝水，隱在通透玻璃內的餐水吧生意也便興隆了起來。
The parents who follow their children enjoy some leisure time, chatting beneath the eaves, which stretch out like a giant tree. With their children running and playing in front of them, the parents occasionally call them over to rest and get a drink. Behind the fully transparent glass, the restaurant and water bar are also bustling with activity.
▲ 家長在屋檐下閑坐漫聊 ©朱雨蒙
▲ 餐廳圍合著攀爬設施 ©朱雨蒙
▲ 通透的餐廳室內 ©朱雨蒙
▲ 草坡上的餐廳 ©朱雨蒙
為了使建筑層層疊疊的山形屋頂仿佛從大地里蹦躍而起，主體結構采用了四束組合鋼柱來支撐，并且通過外包巖板來分別成為戶外座椅，外賣檔口，洗手臺等功能。上部屋頂為鋼網架結構，來實現大的跨度及懸挑，通體外包實木板條，并設置了一些光孔，隨之室內的燈具和空調口也在孔內，而廚房和空調等大型設備也皆隱藏于屋頂。
To make the layered, mountain-like roof appear as though it is leaping up from the ground, the main structure of the building is supported by four clusters of composite steel columns. These columns are clad in black stone panels, with parts of the cladding extended to form functional features such as outdoor seating, takeout counters, and wash stations. The roof adopts a steel space frame structure to achieve long spans and cantilevers. Its entire exterior is clad in solid wood strips, which are interspersed with triangular openings that also house indoor lighting and air conditioning vents. Large equipment, such as kitchen and HVAC systems, is entirely concealed within the roof structure.
▲ 鋼結構外包巖板的造型 ©朱雨蒙
▲ 鋼網架結構的懸挑屋頂 ©朱雨蒙
▲ 屋頂細部的實木板條 ©朱雨蒙
▲ 室內天花板的光孔 ©朱雨蒙
在設計階段中，曾設想屋頂內也可以進人，增加餐飲位置及多樣體驗，但后來從運營角度考慮取消掉了，但造型還是保留，畢竟不是只有人進入的空間才是有功能性的，人們的視覺體驗以及園區整體空間層次的考量也是功能性的一部分。
During the design phase, we initially envisioned the roof structure as a rooftop terrace to increase dining seating capacity and enrich spatial experiences. However, this concept was later abandoned due to operational considerations. Nevertheless, the roof's form was preserved, as functionality is not solely defined by physical accessibility. Visual experience and the overall spatial hierarchy of the park are equally integral to a space's functional value.
▲ “小山”造型屋頂 ©朱雨蒙
▲ 從河、路到餐廳和游樂場的整體空間層次 ©朱雨蒙
我們人類本身并不健全，需要外掛的幫助，比如我們需要鞋來幫助奔跑，需要筷子來幫助進食，需要汽車讓我們移動更快，需要電腦讓我們更聰明，這些貌似功能性的外掛，幫助我們成“人”。同樣，我們的心智也是不健全的，我們需要崇高需要謙遜，需要尊嚴需要勇氣，這些也需要外掛的幫助，比如音樂比如藝術，同樣建筑也承擔這一部分功能，來幫助我們成為更完整的人。
We humans are inherently incomplete, reliant on third-party tools to supplement our capabilities. For instance, we need shoes to run, chopsticks to eat, cars to travel faster, and computers to enhance our thinking—these seemingly functional extensions help us become "human." Similarly, our minds are not self-sufficient; we require nobility, humility, dignity, and courage, which also depend on external support—such as music and art. In the same way, architecture serves this very purpose: to help us become more whole as inpiduals.
▲ 人、動植物、建筑的關系 ©朱雨蒙
▲ 休息的人們 ©朱雨蒙
這個設計的著眼點，于我而言更偏后者，并通過人們的“本能”來驅動。首先，我們先看到“小山符號“時，固有的記憶、情感被本能的喚起，引導我們進入有關自然和童真的情境；之后，走近建筑，巨大的體量、舞動的姿態和奇特的造型，腎上腺素刺激著身體感知本能調動了起來，使得我們進入到某種興奮活躍的狀態；在這種狀態下，我們人類心智的那些空洞被放大，也許孩子們會更勇敢的沖向一座座攀爬設施，在玩樂間去探索去挑戰，這也許就是勇者小屋的意義所在。
For me, the focus of this design leans more toward the latter and is driven by people's "somatic intuition." First, when we initially perceive the "little mountain" form, inherent memories and emotions are instinctively evoked by this symbol, drawing us into a context of nature and childlike innocence. Then, as we approach the building, its substantial volume, dynamic posture, and unusual shape engage our physical senses, immersing us in a state of excitement and activity. In such a state, the inner voids within the human psyche are magnified—children may become braver, dashing toward climbing structures to explore and challenge themselves through play. This, perhaps, is the true meaning of the Brave Cabin.
▲ “小山”符號 ©朱雨蒙
▲ 隨著光線總在變化的色彩表情 ©朱雨蒙
項目圖紙：
▲ 一層平面圖 ©大料建筑
▲ 屋頂平面圖 ©大料建筑
▲ 東立面圖 ©大料建筑
▲ 剖面圖 ©大料建筑
▲ 墻身大樣圖 ©大料建筑
項目信息：
位置：武漢，麓客島
時間：2023-2025
功能：餐廳
面積：200 ㎡
業主：成都麓湖文化旅游開發有限公司/武漢麓華房地產有限公司
建筑+內裝：大料建筑 （劉陽，徐丹，胡祎偉）
施工圖設計：上海聯創設計集團有限公司
商家內裝設計：武漢十二平方設計咨詢有限公司
景觀設計：WTD 緯圖設計
攝影：朱雨蒙
Project Information：
Location: Hubei, Wuhan, LuxeIsland
Date:2023-2025
Function: Restaurant
Area: 200㎡
Client: Chengdu Luhu Cultural Tourism Development Co., Ltd.& Wuhan Luhua Real Estate Co., Ltd.
Architecture/Interior: DL Atelier (Liu Yang, Xu Dan, Hu Yiwei)
Construction Documents: UDG
Tenant Interior Design: Wuhan Shi Er Ping Fang Design Consulting Co., Ltd.
Landscape Design: WTD GROUP
Photography: Zhu Yumeng
來源：本文由大料建筑提供稿件，所有著作權歸屬大料建筑所有。
本文版權歸腿腿教學網及原創作者所有，未經授權，謝絕轉載。
下一篇：胡志明市“神奇叢林屋”！300㎡擠下公寓商鋪，陽臺還能變花園
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