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設計單位? 蔡田田建筑師事務所+一間建筑 A( )VOID

項目地址? 中國澳門

項目年份? 2024年

建筑面積? 213.67平方米

本文文字由設計單位提供。

Where there’s nothing, everything is possible.

Where there is architecture, nothing (else) is possible.

——Rem Koolhaas

本項目以“保留空間可能性”為核心概念，旨在創造一個高度適應性的留白場域。家具、裝置和設備被巧妙整合于墻體、地板和天花之中，確保室內空間能夠隨時恢復完全開放狀態。

The project revolves around the central idea of preserving the void of the space, establishing a flexible emptiness capable of accommodating activities of diverse nature while offering ergonomical inspirations. Furniture, fixtures, and utilities are meticulously embedded into the walls, floors, and ceilings, enabling the interior to seamlessly return to an open and uncluttered condition when desired.

時間維度的敘事通過水平基準線展開。線體下方以質樸的木飾面呈現澳門戶主建筑師世家的傳統輪廓，傳遞出傳統根基的厚重感。線體上方則采用解構手法，運用不同的白色與金屬材質塑造抽象的未來質感，形成穩定與流動之間的時空對話。

In elevation, the space is articulated through a distinct horizontal datum—a waistline. Below this line, the design manifests a considered homage to the architectural heritage of the owner family's generational legacy in Macau; classical silhouettes rendered in a rich materiality of wood veneer provide visual gravity and a grounding sense of tradition. Contrasting this stability, the space above the datum line expresses an intentional fragmentation, articulated in tones of luminous whites and silvers. This upper domain is deliberately abstract and futuristic, subtly suggesting the continuous evolution of the family’s legacy and reflecting an openness to future possibilities.

建筑空間序列從緩坡入口區開始，傾斜坡道與嵌入式轉角沙發和組合茶幾共同形成非正式的交流場域。

Entering the space, one first encounters a gently inclined ramp, furnished with an angled sofa accompanied by a corresponding low tea table—an informal area promoting casual dialogue and reflection.

作為多功能創作平臺，空間通過人體工學設計促進身體活動與思維的互動。可調節的立體界面系統使物理空間與使用需求動態契合，將場所轉化為支持思維與身體互動的跨學科創作工具。

Functionally, the space serves as an apparatus for creative practice, consciously designed to inspire ergonomic interaction and stimulate both physical movement and thoughtful contemplation. It becomes an instrument of creation, fostering multidisciplinary engagement through the harmonious interplay between stillness and activity, thinking and motion, ascent and descent. The interior is customizable, actively adapting to the needs and preferences of its users.

縱深處的中央開放區由嵌入式座位模塊劃分。當模塊收納完畢，空間可轉變為展覽區域，并配備智能燈具和聲學吸音板，以適應多種展覽和演出模式。

Progressing further inward, one arrives at a central void, defined by recessed seating elements. When these seating modules are fully retracted, the central void transforms into an open exhibition area, capable of accommodating diverse spatial arrangements and curatorial intentions.

會議區設計了功能性藝術裝置：懸浮燈盤式玻璃長桌置于五組疊摞高凳之上，桌面可降下，高凳解開后即可形成十人座位配置。側墻內藏玻璃分隔板，可延展成獨立單元。

Beyond the central void, a sculptural installation defines the terminus of the space—a suspended, elongated table hovering above five carefully stacked sets of high stools. Upon descending the table and splitting each stool into two chairs, the composition unfolds into a formal conference setting able to comfortably accommodate ten participants. For enhanced privacy and spatial enclosure, partitions integrated unobtrusively into the surrounding walls can be deployed, delineating a contained area conducive to focused discussion and collaborative exchange.

通過空間靈活機制、動態人體工學和材料敘事的多維整合，項目最終成為一個隨使用者行為不斷重構的活性載體，在時間中不斷生成新的空間語義。

Through this careful orchestration of spatial flexibility, dynamic ergonomics, and refined material expression, the project becomes a living vessel, continually reshaped by human interaction and creative purpose.

設計圖紙 ▽

完整項目信息

項目名稱：3J融合創新空間

建筑設計：蔡田田建筑師事務所、一間建筑 A( )VOID

地址：中國澳門

項目年份：2024年

建筑面積：213.67平方米

主創設計師：黃靜儀、韓櫞

其他設計師：楊家寶、林欣儀

內裝工程：保昌工程有限公司

家具制作：帥文平

攝影師：郭哲

版權聲明：本文由蔡田田建筑師事務所、一間建筑 A( )VOID授權發布。歡迎轉發，禁止以有方編輯版本轉載。

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