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Weave工作室的智能花園展館以凹槽菌絲體立面為特色
Studio Weave's Intelligent Garden pavilion features fluted mycelium facade
由專筑網Yinglin，小R編譯
Studio Weave 事務所與景觀設計師Tom Massey及家具制造商Sebastian Cox合作，在切爾西花卉展上展出了一座覆蓋著菌絲體的展館，并于館內展示了多項創新技術。
這個名為“智慧花園與建筑”的項目，其建筑部分是一座“小屋”，旨在展示項目贊助商——IT 咨詢公司 Avanade所開發的技術如何用于監測城市樹木的健康狀況。
Studio Weave partnered with landscape designer Tom Massey and furniture maker Sebastian Cox to create a mycelium-clad pavilion housing innovative technologies that was presented at the Chelsea Flower Show.
Named the Intelligent Garden and Building, the garden's architectural component comprised a "shed" for demonstrating how technologies produced by the project's sponsor – IT consulting firm Avanade – could be used to monitor the health of urban trees.
▲ 展館設計參考了花園小屋
The pavilion was designed to reference garden sheds
該展館旨在讓人聯想到城市花園中常見的小屋。在此背景下，它也提供了一個場所來查看 Avanade的數據，這些數據最終可能被用來補充傳統的園藝工具。
這座小屋由建筑師Je Ahn領導的Studio Weave事務所與Cox合作設計，后者以其“自然優先”的家具制作方法而聞名，他使用的材料均來自其擁有的生物多樣性林地。
The pavilion aimed to evoke the sheds found in typical urban gardens. In this context, it also provided a place to review Avanade data, which might eventually be used to supplement conventional gardening tools.
The shed was designed by Studio Weave, led by architect Je Ahn, in partnership with Cox, who is known for his nature-first approach to making furniture using materials sourced from his own bioperse woodland.
▲ 它由菌絲體和本地采購的木材制成
It was made from mycelium and locally sourced wood
兩個工作室此前已開展多次合作，包括倫敦東部的Lea Bridge圖書館項目，該項目的木襯內飾充滿了由Cox用廢棄木材制作的家具。
智慧花園展館主要由本地砍伐的白蠟木和菌絲體建造而成，后者是一種在工作室中培育的真菌化合物。
其凹槽立面旨在強調材料的獨特性，特別是突出了菌絲體表面自然不規則的紋理。
The two studios have collaborated several times previously, including on the Lea Bridge Library in east London, which features a wood-lined interior filled with furniture made by Cox from waste timber.
The Intelligent Garden pavilion was primarily constructed from locally felled ash and mycelium – a fungal compound that was grown at Cox's workshop in Kent.
Its fluted facade was designed to emphasise the unique properties of the materials, in particular highlighting the naturally irregular texture of the mycelium surfaces.
▲ 其凹槽立面凸顯了菌絲體的紋理
Its fluted facade highlights the texture of the mycelium
菌絲體的使用借鑒了神經網絡和人工智能中的算法，因為真菌在森林地面上產生網絡，使植物和樹木能夠相互交流和支持。
“我們想使用菌絲體，不僅因為它是一種創新且負碳的材料。”Ahn 說，“還因為人工智能的運作方式與菌絲體的行為之間存在這種聯系。”
The use of mycelium references neural networks and the algorithms within artificial intelligence, as the fungi produce networks across the forest floor that allow plants and trees to communicate and support one another.
"We wanted to use mycelium not just because it's an innovative and carbon negative material," Ahn told Dezeen, "but also because there is this link between how AI operates and how mycelium behaves."
▲ 可開啟的屏風結合了白蠟木和菌絲體
Openable screens combine ash wood and mycelium
該建筑的立面采用了可操作的屏風，這些屏風將編織的白蠟木板與利用Cox工作室產生的農業廢棄物培育的菌絲體相結合。
屏風可以完全打開，在室內和花園之間建立更強的聯系。花園由Massey設計，使用了與展館自然紋理相得益彰的回收或天然材料。
The building's facade featured operable screens that combined woven ash panels with mycelium grown using agricultural waste from Cox's practice.
The screens could be fully opened to create a stronger connection between the interior and the garden, which Massey designed using reclaimed or nature-based materials that complemented the pavilion's natural textures.
▲ 展館一側設有一個小廚房
One side of the pavilion has a kitchenette
小屋一端的桌子和小廚房用于舉辦研討會，探討人工智能對于城市樹木管理者的幫助與支持，比如提供樹木健康與生長率的相關數據。
在建筑的另一端，一個封閉的庭院作為“菌絲體客廳”，其更暗、更潮濕的氛圍為菌絲體網絡上形成子實體提供了適宜的條件。
該項目對可持續性的關注促使其使用了各種通常會成為廢棄物的材料，包括從以前的展覽花園中回收的鋪路石板。
展館使用了因白蠟木枯梢病而砍伐的木材，這些木材通常會在生物質發電廠被焚燒。用于立面和在館內增添手工藝元素的編織面板，是由尺寸太小而無法用于其他用途的部件制成的。
A table and kitchenette at one end of the shed was used for hosting workshops exploring how artificial intelligence (AI) might support custodians of urban trees by providing data on their health and growth rates.
At the opposite end of the building, an enclosed courtyard functioned as a "mycelium parlour", with its darker, damper atmosphere providing suitable conditions for fruiting bodies to form on mycelial networks.
The project's focus on sustainability informed the use of various materials that would typically end up as waste, including paving slabs salvaged from previous show gardens.
The pavilion was constructed using timber felled due to ash dieback, which would usually be incinerated in a biomass plant. The woven panels, used for the facade and to add a crafted element inside the pavilion, were made with components that are too small for other uses.
▲ 一端設有一個“菌絲體客廳”
A "mycelium parlour" sits on one end
該結構的一個顯著特點是使用白蠟木條來制作支撐屋頂托梁的橫向支撐。Ahn認為這可能是行業首創的技術，它利用了材料的纖維特性來提供額外的抗扭強度。
“通常，橫向支撐是塊狀的，利用木材的抗壓性。”Ahn指出，“但在這里我們利用了木材的抗拉性，這種方式要堅固得多。”
“我們想證明，對材料的理解和精細的結構工程，即使是對于像橫向支撐這樣平凡的東西，也能創造出美麗的結果。”
One of the structure's notable features was the use of ash strips to create the noggins that braced the roof joists. This technique, which Ahn suggested may be an industry first, utilises the material's fibrous properties to provide additional torsional strength.
"Normally, noggins are quite blocky and use timber in compression," Ahn pointed out, "but here we used timber in tension, which is much stronger."
"We wanted to demonstrate that material understanding and sensitive structural engineering can create a beautiful outcome, even with something as mundane as a noggin."
▲ 使用白蠟木條制作橫向支撐
Ash strips were used to create noggins
Studio Weave 事務所將該建筑設計成四個尺寸為3.2米x 3米x 3米的預制體量，以便于在展覽安裝的第一周內快速完成組裝。
該工作室指出，由于使用了本地采伐的天然木材和菌絲體，該展館為傳統結構提供了一種低碳、環保的替代方案，并且還可以完全堆肥降解。
Studio Weave designed the building to be prefabricated in four volumes measuring 3.2m x 3m x 3m, in order to facilitate speedy assembly within the first week of the show's installation.
The studio pointed out that, due to its use of native, locally harvested timber and mycelium, the pavilion provides a low-carbon and eco-friendly alternative to traditional structures that is also completely compostable.
▲ 預制展館可用于舉辦工作坊
The prefabricated pavilion was used for workshops
Avanade 智慧花園與建筑項目在年度花卉展上榮獲金獎和最佳建造獎，重現了 Massey 和 Ahn 的事務所在2024年憑借其設計的帶有雨水收集亭的花園所取得的成功。
在切爾西花卉展亮相后，該展館將被永久遷至曼徹斯特的梅菲爾德公園（Mayfield Park），并將在那里繼續延續教育意義，讓大眾更加了解城市樹木狀況。
The Avanade Intelligent Garden and Building won a Gold Medal and Best Construction Award in Show at the annual garden show, repeating the success that Massey and Ahn's practice achieved in 2024 with their design for a garden with a rain-harvesting pavilion.
Following its appearance at Chelsea, the pavilion will move to a permanent home at Manchester's Mayfield Park, where it will retain its function of educating the community about the condition of urban trees.
▲ 它現在將被遷至曼徹斯特的梅菲爾德公園
It will now move to Manchester's Mayfield Park
Studio Weave事務所總部位于倫敦，業務遍及多個領域，致力于提供結合了社會理解和技術精度的獨特解決方案。
該工作室之前的作品包括韓國一座覆蓋著粉色混凝土瓦片的懸崖住宅，以及一個充滿熱帶植物的拱形溫室，旨在突顯倫敦不斷上升的氣溫。
Studio Weave is based in London and operates across various sectors, delivering idiosyncratic solutions that combine social understanding and technical precision.
The studio's previous work includes a clifftop house in South Korea that is clad with pink concrete tiles, and an arched greenhouse filled with tropical plants that was designed to highlight London's rising temperature.
項目信息：
主創建筑師: Tom Massey,Je Ahn, Studio Weave
展廳設計: Studio Weave、Sebastian Cox
景觀承包商: Outdoor Room
工程設計: Foster Structures
客戶: Avanade
攝影：Daniel Herendi
Project credits:
Lead designers: Tom Massey and Je Ahn, Studio Weave
Pavilion: Studio Weave in collaboration with Sebastian Cox
Landscape contractor: Outdoor Room
Engineer: Foster Structures
Client: Avanade
The photography is by Daniel Herendi.
本文版權歸腿腿教學網及原創作者所有，未經授權，謝絕轉載。
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